Earlier this week, the Art Newspaper shared our findings from the Exhibition Finance Report Market Size Supplement, and the author of the article decided to focus less on the overall $5.9bn exhibition market, and more on Vastari's analysis of the difference between budgets at art and science institutions. (Note:
Mondrian, Van Gogh, Magritte, Cézanne, Picabia, Bacon? Or Bruegel, Vermeer, Titian, Caravaggio? Maybe Kusama, Bill Viola, Baselitz, Hockney? Or, why not take a short-cut and go for Egypt, Maya or Ancient Greece? (Ranked: the top ten most popular shows in their categories from around the world, The Art Newspaper, 26th
Vastari’s research into museum curatorial processes have shown that the majority of museums select shows with the visitor’s experience in mind. The idea of visitor experience driving their process is not a new one but how museums approach their audiences can be. Travelling exhibitions are a market many
On 15th of January Artnet’s columnist Tim Schneider published some thoughts on why it is a taboo to talk about the value of works in museums’ storages.
Touring exhibitions have become increasingly important in the last decade: from a handful of major institutions partnering up, touring exhibitions have become a major trend in the museum industry. Producers and museums with large portfolios are beginning to dominate their own section of expo halls at all major international conferences.
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Besides Cristina, we have also had another member join the Vastari Exhibitions team: Dina Andrzheychek. She will be joining Liviu and Jenny as a Travelling Exhibition Manager. Dina brings a new dimension to our team, both because she is a Russian raised in England, and because she has experience in
Since October 2015, Joao Correia, our partner in Brazil, is supporting Fiotim - the moving museum - an original and fun art truck created by the artist Jorge Fonseca. This is a different type of travelling exhibition!