Interview with Artist Gretchen Andrew A look at the intersection of art & AI with artist Gretchen Andrew
BODY WORLDS: A Unique Insight into the Anatomy of Human and Animal Specimens Through Dr. Gunther von Hagens’ innovative techniques of Plastination, BODY WORLDS offers a new way of teaching anatomy by displaying real preserved bodies.
Using mobile-phone film-making to engage young people with museum collections Andrew Wilson (formerly of Blink now Studio for Co-operation) and Lee Hutchinson (formerly of Northampton Museums, now M Shed, Bristol) designed and evaluated a research project aimed at examining the potential of models
Interview with Dr. Jorg Vollnagel Blick auf das Bild “Mystische Geburt” von Sandro Botticelli © Staatlichen Museen zu Berlin / Achim KleukerWhat does your typical work day look like?Since I am head of research and exhibitions at
Crown Fine Art unveils new purpose-built facility where clients can sell as well as store art Art Central, Crown’s new purpose-built facility close to Central London not only provides secure storage but also acts as a gallery extension for clients who want to sell their art. Located just
Behind the Scenes at the London Transport Museum I met Elizabeth Scott, newly appointed curator at the London Transport Museum during her first week there to aske her a few questions. Can you describe to us the steps to put together
The Hague's Pearl: Mauritshuis Reopens The Mauritshuis re-opened its doors to the public at the end of June 2014 after a two-year renovation. This museum hosts one of the finest collections of Dutch art from the Golden Age,
Lost and Found: Five Victories for The Art Loss Register Whether you are buying, selling, reporting stolen property, or registering a family heirloom, The Art Loss Register is indispensable. As the world’s largest private database of stolen and missing art, antiques and
Getting Paintings Online: The Public Catalogue Foundation The Public Catalogue Foundation is a registered charity, founded in 2002 to create a photographic record of all the oil paintings in public ownership in the UK. This is the first project of
